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But that AC30 set real clean.one of the greatest amps, man.
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There’s a lot of interesting chords being played throughout the night – I wish I could tell you what they were but I don’t know! I just know what I want to hear and I get it. “It’s important for me that I hear every string of the chord. You’d be astounded when you turn that AC30 off – it’s obvious right away something is really missing. That AC30 is really there to capture that clarity of the chords. (Image credit: Olly Curtis / Future) Vox AC30ĭean: “If you hear the AC30 it is set really clean, real chimey and gets that nice chimey mid stuff and then the has got the big bottom and the nice sizzly top.
Karaoke stone temple pilots down serial number#
The serial number on this is his birthday and on every subsequent guitar I’ve made for him has been a birthday of his kids or wife.” Prev of 13 Next Prev of 13 Next It’s currently tuned to D minor for Lounge Fly. "The is Callaham and it’s made of steel so it resonates. It’s swamp ash so it’s fairly light, and the neck is chunky but comfortable. It has Lindy Fralin pickups in it, although I’ve now switched to using Lollars. It makes the recording process so much more delightful.”īruce builds really, really fine instruments Dean DeLeoīruce: “This is the first guitar I built for Dean. perfect! It’s such a peace of mind when you start layering guitars and they’re just perfectly in tune. “His guitars are great because in the studio, when you start layering guitars, and sometimes you can’t get them in tune – it’s really frustrating. He’s just putting the finishing touches to that now. And what he’s just building for me now, it’ll be very close to the Gibson Les Paul Special with the P-90s. I have three he’s built me, and he’s built me a Strat-style. He builds really, really fine instruments like the Tele. (Image credit: Olly Curtis / Future) 2009 Bruce Nelson T-styleĭean: "He is just an incredible luthier. It’s nice to have that extra little thing to play with.” Prev of 13 Next Prev of 13 Next And fortunately usually when they get away from you they’re in key! Which is always good. "They play a little different to begin with but they’re interesting because they’re semi hollow, they can get away from you. All the A rig stuff are the solid bodies, these Les Pauls are semi hollow. We’re mostly using gauge 10 strings, but on low alternate tunings we’ll go up to 11s.”ĭean DeLeo: “The guitars that I have with me now are my B rig stuff. He’s playing on the bridge 99% of the time, the only time he’ll flip to the neck is when they’re jamming or something like that between songs. "With this rig I was trying to replicate his other 70s Les Pauls and that pickup was the closest. They all have Seymour Duncan Jazz pickups in the bridge they’re clear and they’re pretty similar to the stock pickups the 70s Les Pauls have. (Image credit: Olly Curtis / Future) 2009 Gibson Les Paul Dean DeLeoīruce Nelson: All the Les Pauls in this rig are 2009. “He’s just an amazing person.” So it’s only right we get his input alongside the sibling songwriting powerhouse duo with the instrumental chops to match.
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“I don’t know where I’d be without him,” says Dean. Affable tech Bruce Nelson, who has manned his station side stage for over 16 years with STP and also builds the DeLeo brothers’ instruments (as well as guitars for the likes of Joe Perry). FOH engineer James ‘Hootsie’ Huth has worked with them since the pre-Core days of ’90.
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It’s a huge, full- bodied sound, perfect for one of alternative rock’s most versatile players.įavouring reliable rigs and reliable people, the Stone Temple Pilots team are a loyal bunch who Dean and bassist brother Robert are quick to praise, noting: “You’re only as good as the people around you”. "I've been using the same setup, the same rig since 1990,” Dean DeLeo, tells us, “every time we plug in it sounds great.” The guitarist’s soundcheck in London confirms this. (Image credit: Michelle Shiers) Introduction